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Description:
This LUT is built to emulate the look of a classic Kodak film stock — soft contrast, rich skin tones, and a smooth highlight rolloff. I typically use it after my basic color correction (curves, exposure, and cleanup). Once the image feels balanced, I apply the LUT and adjust the intensity between 20–40%, depending on the mood I’m aiming for. It’s a simple way to add that polished, filmic finish.
Includes:
– 1 .cube LUT file
– Built for Sony S-Log3
– Compatible with Premiere Pro, DaVinci Resolve, Final Cut Pro, and any editor that supports .cube
Description:
This LUT is built to emulate the look of a classic Kodak film stock — soft contrast, rich skin tones, and a smooth highlight rolloff. I typically use it after my basic color correction (curves, exposure, and cleanup). Once the image feels balanced, I apply the LUT and adjust the intensity between 20–40%, depending on the mood I’m aiming for. It’s a simple way to add that polished, filmic finish.
Includes:
– 1 .cube LUT file
– Built for Sony S-Log3
– Compatible with Premiere Pro, DaVinci Resolve, Final Cut Pro, and any editor that supports .cube
Description:
This LUT is built to emulate the look of a classic Kodak film stock — soft contrast, rich skin tones, and a smooth highlight rolloff. I typically use it after my basic color correction (curves, exposure, and cleanup). Once the image feels balanced, I apply the LUT and adjust the intensity between 20–40%, depending on the mood I’m aiming for. It’s a simple way to add that polished, filmic finish.
Includes:
– 1 .cube LUT file
– Built for Sony S-Log3
– Compatible with Premiere Pro, DaVinci Resolve, Final Cut Pro, and any editor that supports .cube